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I haven't heard it yet, but couldn't resist - found one in immaculate condition with recent cap changes, perfect working order by report. Hopefully will have it by next week. Great resale value on these so if I decide it's not for me, can recoup just about all my expenses. I've been wanting to experiment with a good solid state system as a 2nd and (probably) quite contrasting system to my Marantz 7/MC30 main system (not likely anything will supplant that one as number 1 any time soon, just want to play with something new). On paper, I LOVE all the great features the MA-6200 has - mono/L/R/stereo reverse switch, variable loudness control, and especially ability to run the preamp and power amp sections independently, so I can also play with mixing and matching with my current tube gear and future gear.

So all you folks who've heard or owned the MA-6200 - what can I expect from this amp? I'll be using it to drive my modified Bozak 302-A Urban speakers, at least initially. I have read various opinions - most people say it's very nice indeed, but descriptions of the tone vary - some say it's quite neutral while others mention a warm, almost tubey sound - so which is it? Any other comments about its performance? Thanks in advance! Hey there again TONEPUB - the MA-6200 is 100 wpc into 4 ohms, 75 wpc into 8 ohms (although I hear that as usual for McIntosh, those are quite conservative ratings and probably you get quite a bit more than that in actuality). I'm not a metal-head, but I do occasionally enjoy hearing my Hendrix and Zep and that ilk with some slam.

If this amp gives me what I'm looking for, listening to Steve's BAD COMPANY CD ought to be a little slice of heaven! I do love the MC30s - they are truly magical, for that uncanny, holographic midrange on vocals especially I have heard nothing else that even comes close. Wonderfully natural high end too, with the right tubes in the critical 12AU7 'EQ tube' position - I prefer RCA clear tops by a wide margin. I will never part with these babies and they will always be in regular use at my house! However, no gear is perfect and they do have one major drawback to my ears - they are a little mushy on the bass, which is not a big deal at all for vintage jazz and most older pop, but does hurt some with more modern recordings and hard rock.

And the output (probably closer to 40-45 wpc than the rated 30), while fine, doesn't really allow me to crank up harder rock when I'm in the mood - I'm not actually sure of the rated sensitivity of my Bozaks but I don't think they're much more than 90 and while that's plenty to get good listening volume from my MC30s it doesn't leave tons of headroom. Probably with more sensitive speakers (say, some vintage Tannoy red drivers - hey, I can dream!) it would be less of an issue but I really like the Bozaks, don't want to get rid of them just for that, and won't get around to building some high sensitivity home brews with my father for a while (he made a pair for himself, 3-way with high sensitivity modern paper drivers, around 95-96 dB/watt, and they sound mighty fine!). BTW - here's a picture of an MA-6200 (not the one I bought) for reference - I personally love the way they look although I have read some talk about them as being (and I quote here) 'butt ugly!'

Different strokes, I guess. I also suspect photos won't do it justice, as I find it's hard to capture the beauty of glossy black-faced gear in pics. Love that built in 5-band equalizer! Joe - yes I actually read some of your earlier posts about the MA-6200 / C33 pre when deciding whether to buy the amp I did, they were quite helpful! Since you've heard one (I believe), how tranparent and neutral is the MA-6200? Or if you can't comment on that, how about just the C33 - is it transparent/neutral?

Much as I love my Marantz 7, it does add some color - not in an overly gooey tubey way (since recapping it, it is tonally quite neutral, maybe a tad of a warming effect but very minimal) but it most definitely alters the presentation of music some, pushing the mids up front a bit and accentuating that MC30 'holographic midrange' thing. The Marantz 7/MC30 is a wonderful pairing for sure, true synergy - and for classic 50s jazz it's sublime (perfect example would be the ELLA AND LOUIS records, my god it's like they're standing next to each other right in front of me!). But again for some types of music, modern harder rock for example or 80s stuff, that isn't necessarily the effect you always want - and having a more neutral rig would be nice for that stuff. Thanks in advance for any comments you can provide. The C33 is just a touch on the warm side of neutral, however it is far more neutral than your Marantz 7 preamp. The MA-6200 is also quite neutral sounding.

I think you will really enjoy it. Its great for all kinds of music. It can rock the house, but it can also reproduce delicate strings without being harsh or grainy.

When hearing the MA-6200, you will notice a quickness that the Marantz/MC30 system does not have. The MA-6200 has excellent transient response, dynamics are not limited in any way due to the enormous power supply. I have been pricing these out for a while - like much vintage gear, the MA-6200 has gone up in price recently.

A couple years back you could get one in real good condition for $700. More recently, if it's in great condition but hasn't had any going over by a tech (e.g. Recapping etc), they appear to routinely sell for around $900-1000. For example there's one listed on Audiogon right now (or at least as of last weekend) for $900. I paid $1250 for mine - but it has had a thorough recent going over by a certified McIntosh tech and replacement of the 20+ year old caps. I figured it would have taken me at least $250 to get a tech to look at it and do this work (probably a lot more as I would likely have had to ship it to Terry DeWick or someone - it weighs a ton, it's already costing me $85 to get it shipped to my home!) - OR it would have cost the equivalent amount of my own time to go over it and recap with my father - and that's time I just don't have right now given a hectic work schedule, the holidays, etc.

So seems like a fair price all around to me, assuming it arrives in the advertised condition. BTW I BARELY won the auction - someone else came in just a few dollars below me at the last minute! Here's a link to the eBay listing for the one I won: So far the seller has been very responsive and courteous, I have a good feeling about the transaction, though of course one never knows until the unit arrives and is plugged in!

The tech apparently didn't monkey with replacing anything else beyond the caps and light bulbs and cleaning a few things, which is good as I understand it - reading comments by Terry DeWick and others, the op amps and other components in the MA-6200 were built to last and should not be replaced or mucked with unless malfunctioning. But DeWick does feel recapping is a good idea at this point. Just got my MA-6200 hooked up - oh my God, what a beauty, to look at and to listen to! This sucker looks brand new, literally like it just came out of the box.

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All I wanted to do last night was sit in the dark and look at the pretty green glow from the indicator lights! But then I managed to tear myself away and put on some CDs and it got even better. A wonderfully balanced, neutral to VERY slightly warmish sounding amp (Joe, your impressions there were dead on) that just gets out of the way and lets the music shine through. There's a real sense of effortlessness and transparency; after sitting for a while, I realized it didn't feel like I was listening to music played through an amp, rather it just felt like I was listening to music - always a good thing! I could be wrong but I think due in part to its higher power output, it may be an even better match for my Bozaks (which I have heard rumored are not quite as sensitive as some of the other speakers of the era) than my MC30s - which I have been feeling may require a more highly sensitive speaker to allow them to unleash the full magic I know they are capable of. Anyway, I need to live with it over time and listen to a broader range of familiar recordings, but so far, I'm ecstatic!

One question - while the MA-6200 does have separate preamp out/amp in connections on the back - implying one could use the pre and power amp sections independently - in the owner's manual they only talk about using these connections to hook up an outboard equalizer. Thus before I mess with some experiments (e.g. Connecting my MA-6200 preamp section to my MC30s), I wanted to check in with people here - has anyone actually done this before, and is there any risk of harm to the amp by doing this? It worries me there's no mention of doing it in the owner's manual!